The constructed paintings I call "slices of art" are wedges of famous paintings that are inspired by and include the frame. The "greatest hits" are an accumulation of slices of well-known paintings by a particular artist juxtaposed together in a rectangular composition. The "inside-outs" feature the frame more than the previous work to the extent that the image area attracts the eye less than the frames do.
The eroded images 2004 are faces taken from art history and deteriorated but contained within a secondary image; the profile of the artist who created them.